Clothes from 1950s
Clothes from films set during 1950s
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The Gumshoe Chic of Mickey Rourke in Angel Heart (1987)
The scruffy gumshoe style of Mickey Rourke in Angel Heart (1987). With very special trousers.
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Shifting Trends: Claire Foy in First Man
MINOR SPOILERS First Man (2018) is not a movie overly preoccupied with fashion, And why would it be? The focus of the story is astronaut Neil Armstrong (Ryan Gosling) and his journey to become the first person to ever walk on the surface of the moon. Armstrong wears a lot of button down shirts, short sleeve checks, neutral slacks, the odd dark single breasted suit for formal occasions – largely dour attire for a dour man. He also wears a space suit, several of them. However, outside of Emilio Pucci’s involvement in designing the logo for the Apollo 15 flight in 1971, fashion rarely intersects with the requirements of surviving…
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Costuming Hitchcock: An Extract from Hitchcock’s Heroines by Caroline Young
Author Caroline Young has just released a fascinating new book entitled Hitchcock’s Heroines (published by Insight Editions). It celebrates and studies the women in Hitchcock movies; their influence, semblance and iconography. What’s more, Young also examines the role costume design plays with these women, both the characters and the actresses who played them, and how they can be interpreted as far more than just ‘icy blondes’. Here we have an extract of the book exclusively for Clothes on Film: Kim Novak’s grey suit the colour of San Francisco fog in Vertigo, Grace Kelly as the too-perfect woman in Rear Window, and Janet Leigh’s black and white sets of underwear to…
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Phantom Thread: An Insight into Autism and Relationships
SPOILERS If you’ve heard anything about Phantom Thread (2017, directed by Paul Thomas Anderson), you are bound to uncover a multitude of thoughts on the astounding Academy Award winning costume work of Mark Bridges or the retirement role of Daniel Day-Lewis as Reynolds Woodcock, 1950s fashion house couturier. But one of the key components to Reynolds is missing from the discussion: Autism. Phantom Thread opens with Reynolds (Day-Lewis) getting dressed to formalities of the era. Polished shoes, ironed trousers, a fresh button-down shirt, with the addition of long magenta socks to introduce the notion of creativity, or perhaps particularities to the character. The scene moves to breakfast, which quietly adds…
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Costuming The Dressmaker
Twenty-five years ago, costume designer Margot Wilson was a student living in Paris when she picked up a roll of red, moire silk fabric during a shopping trip to Milan. She didn’t know why, or what for; she wasn’t even a costume designer then, just a talented young fashion grad from East Sydney Tech on a six-month scholarship to France. When it was time to go home, she took the beautiful roll of fabric back down under with her. Fast forward three decades and a couple of dozen films later (including Lantana, Bran Nue Dae and Lawless), and Wilson has finally found a screen role for her magnificent weave –…
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Cinema Paradiso: Invisible Costume
Cinema Paradiso is a beautiful examination of the relationship human beings have with film. This connection is explored through the story of a young boy and his friendship with the projectionist at the town’s local cinema. The strength of this friendship is only surpassed in intensity by the boy’s deep desire to become a part of the world of movie making. This is a story not about the medium of film in itself, but about the real people whose lives are illuminated by the stories it relates. As a tale primarily of ordinary Roma people, the costumes in Cinema Paradiso, as designed by Beatrice Bordone, help create a 1940s/50’s period…
- Clothes from 1940s, Clothes from 1950s, Clothes from 1960s, Clothes from 1970s, Clothes from 1980s, Clothes from 1990s, Guys in Films, Interviews, Premium
Get on Up: Sharen Davis Shares Costume Design Sketches
As Get on Up, director Tate Taylor’s look at the life of singing legend James Brown, hits UK screens we have some fantastic sketches to share of the film’s costuming. Costume designer for Get on Up is the one and only Sharen Davis, who previously worked with Taylor on The Help, although you may know her better for Devil in a Blue Dress, Dreamgirls, Ray and Django Unchained. Davis is absurdly talented and every single project she undertakes should be greeted with cheers by any costume fan. Get on Up with its collective of lowly, stage and civvie ensembles worn by Chadwick Boseman as adult James Joseph Brown (60+changes) is…
- Clothes from 1950s, Clothes from 1960s, Clothes from 1970s, Clothes from 1980s, Clothes from 1990s, Girls in Films, Guys in Films, Interviews, Premium
The Look of Love: Q&A with Costume Designer Stephanie Collie
As is often the way with costume designers, Stephanie Collie is something of an unsung hero. We will not reel off her entire back catalogue, but it does include South Riding (2011, TV), Telstar (2008) Peter’s Friends (1992) and perhaps most exciting of all, Lock, Stock and Two Smoking Barrels (1998). Now, anyone old enough to remember when Lock, Stock arrived will remember just what an incredible influence its Mod inspired costumes had on the world of fashion. You could not pick up a men’s magazine of the time without seeing some guy in slim trousers and a jersey polo shirt. Stephanie Collie invented this look, thus providing one of…
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So Dior Exhibition at Harrods: Movie Star Dresses
Some photographs from the recent So Dior exhibition at Harrods.
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The Iron Lady: Costume as Distinction, Gender and Protection
A look at late Margaret Thatcher’s colour specific wardrobe as represented in the film The Iron Lady.
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Anna Karenina: Jacqueline Durran Talks Jewellery & Costume
Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture.
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Doris Day in Pillow Talk: Couture Allure
Doris Day’s last hurrah for 1950s fashion wearing some of the most exquisite costumes ever seen on screen.
