© 2014 Lord Christopher Laverty. All rights reserved.
Costume designer Mark Bridges described There Will Be Blood (2007) as his most challenging film, referring to the difficulties he faced in transporting costumes to the remote location in West Texas, after director Paul Thomas Anderson called for a new … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
For this month’s Fabric of Cinema column in pan-India publication Arts Illustrated, Clothes on Film editor Christopher Laverty discussed the game changing costume design work of Trish Summerville. This makes that terrible title pun you’ve just read almost acceptable. The … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
Marina Roberti is the costume designer of the Italian box office hit Sole a Catinelle. She has worked in the US with the likes of Milena Canonero, Sandy Powell and Dante Ferretti… How did you become a costume designer? When … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
When Clothes on Film visited The Muppets Most Wanted set back in March of 2013, we were given a tour of the bustling ‘wardrobe’ (their words) department, as overseen by costume designer Rahel Afiley. You can read more about that … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
Recently we were fortunate enough to get our hands on Amber Jane Butchart’s new book, her ‘Fashion Miscellany’, which has just been published by The IIex Press. If you don’t already know, Amber is a contributor to Clothes on Film … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
There is a problem with the costumes in The Wolf of Wall Street, and it has nothing to do with the film itself but the coverage they have received. Namely, that this coverage is incorrect. Articles such as this one … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
Suzy Benzinger, the costume designer of Blue Jasmine, chose iconic brands like Hermès, Louis Vuitton, and Missoni to serve as visual shorthand of what the modern-day wealthy socialite wears, but it is the white Chanel jacket that follows Jasmine from … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
We may have to eat our words, but as it stands 12 Years a Slave is unlikely to win the Best Costume Design Oscar. It does tick some of the necessary boxes: it’s period (mid 19th century), features both crinolines … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
MILD SPOILERS Costume designer Michael Wilkinson’s main accomplishment with American Hustle has largely been overlooked in favour of praising him as some kind of vintage stylist with an eye for provocative gowns and desirable heels. The truth is he has … Continue reading
© 2013 Lord Christopher Laverty. All rights reserved.
What a busy twelve months it’s been for costume design. Really though, this art, or craft, or business (Deborah Nadoolman Landis insists it is definitely a business) gets more talked about each year. 2013 was especially exciting however as it … Continue reading