We chat to costume designer Gary Jones about his work on Oz the Great and Powerful.
Category: Clothes from 1837-1919
Clothes from films set during Victorian/Edwardian era to post war
Lucinda Wright on Costume in The Suspicions of Mr Whicher
Lucinda Wright talks costume in The Suspicions of Mr Whicher: The Murder in Angel Lane.
Review: Oz the Great and Powerful
Oz is here and as far as fantasy costume is concerned, you are in for some surprises.
Costume Designer Joanna Johnston Talks Lincoln & Jack
Joanna Johnston chats about her work on Lincoln and what we can we can expect from her latest project Jack the Giant Slayer.
Review: Lincoln
The biggest compliment that can be paid to Joanna Johnston’s costumes in Lincoln is that you will hardly notice them.
Anna Karenina: Jacqueline Durran Talks Jewellery & Costume
Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture.
Sharen Davis Costume Interview: Django Unchained
Django Unchained costume designer Sharen Davis exclusively explains her work on the film.
Review: Django Unchained
Costume designer Sharen Davis finds a good fit with Tarantino; their Deep South bounty hunter Django is a visibly memorable protagonist crying out for a sequel.
Review: Les Misérables
Les Misérables is drenched in costume symbolism, specifically revolutionary red, white and blue. Subtle was never its intention.
The Phantom of the Opera: Colour, Character and Costume
The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.
Django Unchained: Tarantino’s First Costume Oscar?
Could Django Unchained be the first Quentin Tarantino movie to win a Costume Design Oscar?
Costume Designer Anaïs Romand Discusses House of Tolerance
French costume designer Anaïs Romand discusses her work on House of Tolerance (L’Apollonide: Souvenirs de la maison close).