This week’s world according to costume design.
Superman’s cape was CGI for much of the movie. Makes sense when you think about it.
Stephanie Collie on recreating 1960s Soho. Fascinating for anyone who knows the time and/or setting.
Deirdre Clemente and Aisling O’Connor explain why Liberace’s costumes mattered, because they really did.
Typically engrossing DTSFT piece about interpreting the 1920s on film. Examples from Thoroughly Modern Millie, Chicago, Midnight in Paris…
Costume design in the Indian film industry.
‘It felt like a natural extension’, Jill Ohannesson talks about her upcoming Revenge clothing line.
Educational and painful, apparently.
Michael Kaplan, Mark Bridges, Ellen Mirojnick and Jeffrey Kurland discuss favourite costumes from their own back catalogue and others. The panel is moderated by Laura Dern. There will be a screening of Vertigo afterwards. If you can go, GO.
© 2013 – 2014, Lord Christopher Laverty.