© 2012, The Weinstein Company
Costume designer Sharen Davis finds a good fit with Tarantino; their Deep South bounty hunter Django is a visibly memorable protagonist crying out for a sequel. Continue reading Continue reading
© 2012, Clothes on Film
Fascinating video about Hardy Amies costumes for 2001: A Space Odyssey. Continue reading Continue reading
© 2012, Universal Pictures
Les Misérables is drenched in costume symbolism, specifically revolutionary red, white and blue. Subtle was never its intention. Continue reading Continue reading
© 2012, Lionsgate
Costume in The Cabin in the Woods is not grand, but it is very clever. All the teenage characters subtly evolve from one horror stereotype to another. Continue reading Continue reading
© 2012, Clothes on Film
The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level. Continue reading Continue reading
© 2012, V&A
Deborah Nadoolman Landis discusses her Hollywood Costume exhibition at the V&A. Continue reading Continue reading
© 2012, Warner Bros. Pictures
Ben Affleck’s pseudo-cowboy costume in Argo harks back to the golden age of the sports jacket. Continue reading Continue reading
© 2012, Julien's Auctions
Julien’s Hollywood Icons and Idols sale draws high bids for famous costumes, but not the big numbers seen last year at the Debbie Reynolds auction. Continue reading Continue reading
© 2012, Clothes on Film
The evolving costumes worn by Sandra Dee in classic sixties gender comedy A Man Answers. Continue reading Continue reading
© 2007, Studio Canal
Forgive the self-promotion as we draw your attention to Clothes on Film’s inclusion in book ‘Hollywood Costume’ edited by Deborah Nadoolman Landis. Continue reading Continue reading
© 2012, V&A
A rundown of why Hollywood Costume at the V&A is the best event you will see all year. Continue reading Continue reading
© 2012, The Weinstein Company
Could Django Unchained be the first Quentin Tarantino movie to win a Costume Design Oscar? Continue reading Continue reading
© 2012, Metro-Goldwyn-Mayer
James Bond is back and he has never scrubbed up better. Tom Ford now exists to make Daniel Craig suits. Continue reading Continue reading
© 2012, Clothes on Film
George Lazenby’s fashionable Bond is sartorially similar to Daniel Craig in Skyfall. Continue reading Continue reading
© Terry O’Neill
A new compilation of sartorially revealing James Bond photographs by Terry O’Neill. Continue reading Continue reading
© 2012, TriStar Pictures
Piper Perabo chats to Clothes on Film about costume design for her role in Looper. Continue reading Continue reading
© 2012, TriStar Pictures
Costume Designer Sharen Davis talks us through her retro-vision for Looper. Continue reading Continue reading
© 2012, The Weinstein Company
Costume designer Margot Wilson talks exclusively to Clothes on Film about her impeccable work on Lawless. Continue reading Continue reading
© 2012, The Weinstein Company
Tom Hardy heralds dawning of the knitwear anti-hero. Margot Wilson discusses her use of the cardigan for Lawless. Continue reading Continue reading
© 2011, Studio Canal
A breezy retrospective of the most famous fashion editor of all time. Continue reading Continue reading
© 2012, TriStar Pictures
A mishmash of sci-fi conventions and clichés cobbled together as something we have never quite seen before. Continue reading Continue reading
© 2011, Haut et Court
French costume designer Anaïs Romand discusses her work on House of Tolerance (L’Apollonide: Souvenirs de la maison close). Continue reading Continue reading