Wes Anderson’s most sartorially significant film yet. Continue reading Continue reading
Review: Moonrise Kingdom
© 2012, Focus Features
© 2012, Focus Features
Wes Anderson’s most sartorially significant film yet. Continue reading Continue reading
© 2012, Clothes on Film
The subtle differentiation of character through costume design in Moon. Continue reading Continue reading
© 2012, Clothes on Film
In a week of exciting trailers, the first for director Baz Luhrmann’s adaptation of The Great Gatsby must surely be the most thrilling of all. Continue reading Continue reading
© 2012, Metro-Goldwyn-Mayer
The first trailer for Skyfall hits with several suits, an overcoat, sportswear and a beanie. Continue reading Continue reading
© 2012, Clothes on Film
Doris Day’s last hurrah for 1950s fashion wearing some of the most exquisite costumes ever seen on screen. Continue reading Continue reading
© 2012, Clothes on Film
“Fashion victim” or “ensemble-y challenged”. Examining the legacy of Mona May’s costume design for Clueless. Continue reading Continue reading
© 2012, Clothes on Film
American Gigolo is not about its protagonist, it is about what he wears. American Gigolo is about Armani. Continue reading Continue reading
We have five copies of Liz Gregory’s movie dressmaking book Sew Iconic to give away. That’s right, five. Continue reading Continue reading