Clothes on Film | Screen style & identity

To Catch a Thief: Grace Kelly’s Coral Top and Skirt

This coral pink ensemble encompasses and challenges the absolute femininity of Grace Kelly.

Jack Sparrow has finally become the irritating wiseass who just won't leave the party.

Throughout The Way We Were, Barbra Streisand wears a mix of period authenticity and contemporary fashion.

An exhibition of British costume design from films such as The King’s Speech and Pirates of the Caribbean opens at the Fashion Museum in July.

Old fashioned and sentimental, Water for Elephants still has much to offer with its very readable costume design.

Sherlock Holmes 2 costume designer Jenny Beavan chats exclusively to Clothes on Film about what to expect in the finished film.

Win two pairs of tickets to an exclusive screening of Pirates of the Caribbean: On Stranger Tides in London on 9th May. Harr!

Judianna Makovsky demonstrates that contemporary fashion with a plot is far more fun than a flick through Vogue.

Editor Chris Laverty explains how to ‘read’ costume on film. From an article originally published in Moviescope magazine.

Public Enemies demonstrates how costume can actually drive a story narrative.

This is the most fun and elaborate outfit Grace Kelly wears in To Catch a Thief.

The trailer for The Three Musketeers affords the briefest peek at those 17th century costumes.