Brigsby Bear tells the bizarre yet charming tale of a young man, James Pope (Kyle Mooney), who was kidnapped as a baby and subsequently released into the world many years later with no knowledge of[…]
Despite being set in the present day, the world of Brigsby Bear (2017, directed by Dave McCary) is a cosy 1980s nostalgia affair. Most of what we see either comes from or belongs to another[…]
Cinema Paradiso is a beautiful examination of the relationship human beings have with film. This connection is explored through the story of a young boy and his friendship with the projectionist at the town’s local[…]
Internal Affairs (1990) is an excellent stone cold thriller. The costumes are a subtle tease, revealing personal information that the characters never say out loud. Like many movies released in the late 1980s/1990s, Internal Affairs[…]
There is a problem with the costumes in The Wolf of Wall Street, and it has nothing to do with the film itself but the coverage they have received. Namely, that this coverage is incorrect.[…]
American Psycho (2000, costume designer Isis Mussenden) is a late 1980s set film that highlights the importance placed on external appearance and the disparity that can lie between this and the true nature of a[…]
Moments of sartorial significance, and that glimmer of recognition that we feel upon seeing an onscreen outfit worn more than once are found throughout Smooth Talk, Joyce Chopra’s underseen 1986 adaptation of a Joyce Carol[…]
Filmmaker and costume designer Sophie Black recounts her personal interpretation of Heathers, a film defined by vivid visual interpretation. It is just a coincidence that the first time I saw Michael Lehmann’s Heathers (1988) was[…]
As is often the way with costume designers, Stephanie Collie is something of an unsung hero. We will not reel off her entire back catalogue, but it does include South Riding (2011, TV), Telstar (2008)[…]
Second and final part of our retrospective of The Grifters with insight from Mark Bridges.
The first trailer for Anchorman 2: The Legend Continues steps from the 70’s to the 80’s in vivid style.
First in our two part retrospective of neo-noir classic The Grifters with exclusive insight from the film’s assistant costume designer Mark Bridges.