Or when your costumes look like a building. Odile Dicks-Mireaux’s designs for High Rise (2016) are far more than that. But for a film set in such a heavily stylised world, especially one created by[…]
Internal Affairs (1990) is an excellent stone cold thriller. The costumes are a subtle tease, revealing personal information that the characters never say out loud. Like many movies released in the late 1980s/1990s, Internal Affairs[…]
Part two of our essay looking at sartorial identity in Sons of Anarchy, featuring exclusive insight from series costume designer Kelli Jones. Catch up with part 1 HERE. The women of SAMCRO include porn stars[…]
Sons of Anarchy portrays the fictionalised world of an outlaw motorcycle club; although the plots are dramatic in the extreme, many of the details are firmly based in realism, including the costuming. Series creator Kurt[…]
Levi’s® Spring Bottom pants are a most fascinating garment. Introduced in 1889 they are essentially jean trousers intended for Victorian (and later Edwardian) gentlemen. This is the first time Levi’s had focused their products on[…]
Newly released on collectable Blu-ray, The Long Goodbye (1973, directed by Robert Altman) is the kind of film you feel ashamed for not watching more often. Starring Elliot Gould as Raymond Chandler’s pulp private dick[…]
If you have played The Last of Us on Playstation 3 it has likely ruined video gaming for you. The world created is so vivid and believable that every game afterward just feels dated and[…]
Costume designer Ann Roth’s template for Working Girl (1988, directed by Mike Nichols) is especially astute with regards to the social and geographical make up of its characters. Protagonist Tess McGill (Melanie Griffith) is a[…]
As is often the way with costume designers, Stephanie Collie is something of an unsung hero. We will not reel off her entire back catalogue, but it does include South Riding (2011, TV), Telstar (2008)[…]
How changing body shapes can affect the appearance of period costume.
Costume designer Jacqueline West talks exclusively to Clothes on Film about her period recreation work on Ben Affleck’s Oscar favourite Argo.
Costume in The Cabin in the Woods is not grand, but it is very clever. All the teenage characters subtly evolve from one horror stereotype to another.