In the very opening scene of Rocky (1976, costume designer Robert Cambel), we see the title character in the ring, bare chested, hands encased in boxing gloves, the picture of sporting violence and masculinity. But[…]
This is part 2 (part 1 HERE) of an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers[…]
The following is an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore[…]
The glossy costume world of gangster squad is faithful to history, but not a slave to it.
Costume designer Michael Kaplan took time away from Star Trek 2 to chat exclusively to Clothes on Film about Ghost Protocol.
Groundbreaking film La Dolce Vita offers a conflicting portrayal of masculinity.
Mark Bridges exclusively explains his costume choices for retro epic Boogie Nights.
There is a man on Boardwalk Empire with even more sartorial presence than Nucky Thompson; That man is Chalky White.
Public Enemies demonstrates how costume can actually drive a story narrative.
Some official images have surfaced for X-Men: First Class. The sixties costumes vibe is not excessive, however.
The range of Edwardian coats cut for Dennis Price are recreated with remarkable historical accuracy.