© 2017 Lord Christopher Laverty. All rights reserved.
Daphne du Maurier‘s original novel My Cousin Rachel apparently does not specify the exact period in which it’s set, but implies some time toward the end of the 19th century on the Cornish coast. This new version of the story … Continue reading
© 2017 Lord Christopher Laverty. All rights reserved.
To tie-in with the release of Disney’s new live-action version of Beauty and Beast, the project’s Oscar winning costume designer Jacqueline Durran teamed up with students from Central Saint Martin’s college in London to reinterpret ensembles from the film. These … Continue reading
© 2015 Lord Christopher Laverty. All rights reserved.
Twenty-five years ago, costume designer Margot Wilson was a student living in Paris when she picked up a roll of red, moire silk fabric during a shopping trip to Milan. She didn’t know why, or what for; she wasn’t even … Continue reading
© 2015 Lord Christopher Laverty. All rights reserved.
Jacqueline Oknaian has costumed Ugly Betty (2008-10), Sex and the City 2 (2010) and The Big C (2012-13), so it might be fair to say contemporary clothing is her forte. For The Intern she dressed Anne Hathaway and Robert De … Continue reading
© 2015 Lord Christopher Laverty. All rights reserved.
When Arnold Scaasi opened his couture salon in 1964, he soon became a couturier to the stars. He was already a favoured designer for Barbra Streisand when he famously dressed her for the 1969 Oscars. Streisand was up for Best … Continue reading
© 2015 Lord Christopher Laverty. All rights reserved.
From stills of this film alone you could easily be forgiven in thinking that I am Love (Io sono l’amore, 2009) was set during the 1960s. The designer clothes draped worn by lead members of the Recchi family, as selected … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
Director Brian De Palma has made movies heavily influenced by Alfred Hitchcock before, but Passion (2012) is the first one whose characters look like they stepped out of one of Hitchcock’s classic films. Karen Muller-Serreau’s bold and colourful costumes communicate … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
Note from the Editor: You may have noticed that Clothes on Film has not been updated as frequently recently. We’ve had some excellent analysis and a few strong interviews, but in general content has been considerably lighter than usual. Well … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
Where to start with Penny Rose? Pirates of the Caribbean? Evita? King Arthur? Most recently of course 47 Ronin (directed by Carl Rinsch). You do not hire Penny Rose for something small. This is not to say she won’t work … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
SPOILERS Despite all the hoo-ha over films such as Blue Jasmine and Stoker contemporary is still pretty much overlooked as a form of costume design. If it’s invisible, well, nobody notices it, and if it’s designer it becomes all about … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
A fortnight ago to the day, Clothes on Film creator and editor Christopher Laverty joined fashion historian Amber Jane Butchart to give one of two talks and a Q&A chat at The British Library in London. The subjects under discussion … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
No round up last week because we were a bit busy, so this week is MEGA JAMMED WITH COSTUME GOODNESS. Puttin’ on the Glitz We teamed up with Amber Jane Butchart and The British Library to talk jazz age fashion … Continue reading