There has been an insane amount of discussion online about Bryce Dallas Howard’s character, Claire Dearing, since the release of Jurassic World (2015, costume designed Daniel Orlandi), mostly concerning the ‘running in heels’ sequences. I[…]
Director Brian De Palma has made movies heavily influenced by Alfred Hitchcock before, but Passion (2012) is the first one whose characters look like they stepped out of one of Hitchcock’s classic films. Karen Muller-Serreau’s[…]
Here is a brief extract from editor Chris Laverty’s third ‘Fabric of Cinema’ column for international periodical Arts Illustrated. The main reason for a plug is the subject matter discussed: colour, without doubt one of[…]
Why does Tippi Hedren wear a green suit in The Birds, and what does it mean?
Kurt and Bart are fascinating. Forged as art school drop outs in 1980s New York, their name is now a singular brand to movers and shakers in the media industry. Yet they are two people,[…]
It’s all about the shoes in Stoker.
Piper Perabo chats to Clothes on Film about costume design for her role in Looper.
Costume Designer Lindy Hemming talks exclusively to Clothes on Film about her work on The Dark Knight Rises.
Christopher Nolan once again shows his appreciation for costume in this immensely satisfying end to the Dark Knight trilogy.
With exclusive insight from costume designer Catherine Marie Thomas, we analyse Sandra Bullock’s low volume, big impact wardrobe in The Proposal.
Lucie Bates exclusively discusses her work on Hanna, inducing parodies, subtext and working with Giorgio Armani.
In Malèna, Monica Bellucci plays an impossible vision of beauty; a woman so striking she is immediately sexualised by all who lay eyes on her.