SPOILERS THROUGHOUT Having recently finished a six week, six episode run on the BBC, John le Carré adapted spy drama The Little Drummer Girl was divisive in terms of audience reaction. Some found the plot[…]
Goldmember (2002, directed by Jay Roach), the final film (so far) in the Austin Powers series again shifts its timeline. However, rather than a negligible, though comparatively significant, jump from late to very late 1960s,[…]
MILD SPOILERS Solo: A Star Wars Story (2018) is far and away the most ‘A New Hope-like’ film in the series yet. In terms of tone, sure, but particularly costume. What costume designers Glyn Dillon[…]
In honour of The Times’ film critic Kevin Maher’s list of iconic movie rebels, we take a look at what it truly takes to make a tough guy in cinema. What constitutes a tough guy,[…]
The costume evolution of Daenerys Targaryen in Game of Thrones.
The first still from Beauty and the Beast, aka La belle & la bête. Costumes by Pierre-Yves Gayraud.
The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.
Judianna Makovsky’s costume design provides an intentional method of understanding The Hunger Games’ politics.
Costume designer Rebecca Hofherr talks exclusively to Clothes on Film about her incredible contribution to Winter’s Bone.
Blurry and unofficial, but these are definitely photos of Anne Hathaway as Catwoman.
For a guy who prefers the synthetic appeal of satin and alloy, physical contact is a violent business.
Looking so sexy that the finished film can be nothing but a huge disappointment, this teaser for Tinker, Tailor, Soldier, Spy ticks all the right 70’s boxes.