Though really nothing more than an extended backlit music promo, Flashdance (1983, directed by Adrian Lyne) has garnered a considerable cult following in recent years.
Savaged by poor reviews on its release, the film is now embraced as a musical and stylistic record of the second most hedonistic decade in western history. In this respect it is actually a stronger movie than, say, Wall Street (1986), and Flashdance even has a biracial woman as its star; unusual at the time, we should perhaps be grateful producers Don Simpson and Jerry Bruckheimer didn’t opt for Goldie Hawn instead.
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