Meryl Streep’s timeless Burberry trench coat is one of the most recognisable contemporary costumes of 1970s. Continue reading
Kramer vs. Kramer: Meryl Streep in a Burberry Trench Coat
© 2013, Clothes on Film
© 2013, Clothes on Film
Meryl Streep’s timeless Burberry trench coat is one of the most recognisable contemporary costumes of 1970s. Continue reading
© 2012, The Weinstein Company
Tom Hardy heralds dawning of the knitwear anti-hero. Margot Wilson discusses her use of the cardigan for Lawless. Continue reading
© 2012, Clothes on Film
Doris Day’s last hurrah for 1950s fashion wearing some of the most exquisite costumes ever seen on screen. Continue reading
© 2012, Clothes on Film
Betsy Heimann chats exclusively about one of the most iconic costumes of the 1990s. Continue reading
© 2012, Clothes on Film
Ruth E. Carter’s work on Do the Right Thing is a masterclass in how costume can influence the look and feel of a film. Continue reading
© 2011, Warner Bros.
Crazy, Stupid Love is every inch the ‘fashion film’, both in terms of narrative and costume designer Dayna Pink’s elegant menswear styling. Continue reading
© 2011, Clothes on Film
Playing computer hacker, Lisbeth Salander, Noomi Rapace embodies the character in such a way that picturing anyone else in the role is nearly impossible. Continue reading
© 2011, HBO
The displaced sex appeal of uniforms in Mildred Pierce. Continue reading
© 2011, Clothes on Film
Groundbreaking film La Dolce Vita offers a conflicting portrayal of masculinity. Continue reading
© 2010, StudioCanal
Potiche confirms that Catherine Deneuve will always be Belle de Jour, only now with added sense of humour. Continue reading
© 2011, Clothes on Film
In Malèna, Monica Bellucci plays an impossible vision of beauty; a woman so striking she is immediately sexualised by all who lay eyes on her. Continue reading
© 2011, HBO
A prevalent theme in the first episode of Mildred Pierce starring is how domestic costume can be read as a signal for sexual availability. Continue reading
© 2011, Clothes on Film
Public Enemies demonstrates how costume can actually drive a story narrative. Continue reading
© 2011, Clothes on Film
There more going on with this outfit than an absence of underwear. Continue reading
© Clothes on Film, 2010
La Femme Nikita re-defines the little black dress on film. Continue reading
© 2009, Clothes on Film
The Big Lebowski is brilliantly designed; the characters are concisely and efficiently illustrated, says KB from FrockTalk.com. Continue reading
© 2010, Clothes on Film
Let’s tell you why The Big Lebowski costume design rocked in an almost completely non-subtextual way. Continue reading
That is what you call a tache!
Recently Clothes on Film chatted with Kristin Burke from FrockTalk about The Big Lebowski. We discussed weightlifting pants and feminism. Continue reading