© 2016 Lord Christopher Laverty. All rights reserved.
It’s the most celebrated, the most special, the most significant watch of all time; Rolex is symbolic of many things in the movies: style, wealth, attitude, and perhaps most importantly, taste. That is not to say a Rolex is elitist, … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
This is part 2 (part 1 HERE) of an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore … Continue reading
© 2014 Lord Christopher Laverty. All rights reserved.
The following is an expanded article Clothes on Film editor Chris Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore during the film. If The … Continue reading
© 2012 Lord Christopher Laverty. All rights reserved.
Costume Designer Lindy Hemming talks exclusively to Clothes on Film about her work on The Dark Knight Rises. Continue reading
© 2012 Lord Christopher Laverty. All rights reserved.
Christopher Nolan once again shows his appreciation for costume in this immensely satisfying end to the Dark Knight trilogy. Continue reading
© 2011 Lord Christopher Laverty. All rights reserved.
Michael Caine created Jack Carter, yet his immaculate blue mohair suit was more than a little responsible for creating the myth. Continue reading
© 2010 Lord Christopher Laverty. All rights reserved.
Michael Caine is the epitome of badly folded cool. Continue reading
© 2009 Lord Christopher Laverty. All rights reserved.
Idly plotted and then tempered by a blunt ending. All of a sudden the viewer is left pondering ‘eh?’ as Pinter apparently run out of room on his pad. Continue reading