Meryl Streep’s timeless Burberry trench coat is one of the most recognisable contemporary costumes of 1970s. Continue reading Continue reading
Kramer vs. Kramer: Meryl Streep in a Burberry Trench Coat
© 2013, Clothes on Film
© 2013, Clothes on Film
Meryl Streep’s timeless Burberry trench coat is one of the most recognisable contemporary costumes of 1970s. Continue reading Continue reading
© 2013, Fox Searchlight Pictures
It’s all about the shoes in Stoker. Continue reading Continue reading
© 2012, 20th Century Fox Entertainment
Costume designer Jacqueline West talks exclusively to Clothes on Film about her period recreation work on Ben Affleck’s Oscar favourite Argo. Continue reading Continue reading
© 2012, 20th Century Fox
Joanna Johnston chats about her work on Lincoln and what we can we can expect from her latest project Jack the Giant Slayer. Continue reading Continue reading
© 2013, Warner Bros. Pictures
The glossy costume world of gangster squad is faithful to history, but not a slave to it.
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© 2013, Warner Bros. Pictures
The press love Prada’s involvement with The Great Gatsby, but exactly how much does this help the film’s costume design? Continue reading Continue reading
© 2012, Focus Features
Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture. Continue reading Continue reading
© 2012, The Weinstein Company
Django Unchained costume designer Sharen Davis exclusively explains her work on the film. Continue reading Continue reading
© 2012, Lionsgate
Costume in The Cabin in the Woods is not grand, but it is very clever. All the teenage characters subtly evolve from one horror stereotype to another. Continue reading Continue reading
© 2012, Clothes on Film
The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level. Continue reading Continue reading
© 2012, V&A
Deborah Nadoolman Landis discusses her Hollywood Costume exhibition at the V&A. Continue reading Continue reading
© 2012, Warner Bros. Pictures
Ben Affleck’s pseudo-cowboy costume in Argo harks back to the golden age of the sports jacket. Continue reading Continue reading
© 2012, Clothes on Film
The evolving costumes worn by Sandra Dee in classic sixties gender comedy A Man Answers. Continue reading Continue reading
© 2012, The Weinstein Company
Could Django Unchained be the first Quentin Tarantino movie to win a Costume Design Oscar? Continue reading Continue reading
© 2012, Clothes on Film
George Lazenby’s fashionable Bond is sartorially similar to Daniel Craig in Skyfall. Continue reading Continue reading
© 2012, TriStar Pictures
Piper Perabo chats to Clothes on Film about costume design for her role in Looper. Continue reading Continue reading
© 2012, TriStar Pictures
Costume Designer Sharen Davis talks us through her retro-vision for Looper. Continue reading Continue reading
© 2012, The Weinstein Company
Costume designer Margot Wilson talks exclusively to Clothes on Film about her impeccable work on Lawless. Continue reading Continue reading
© 2012, The Weinstein Company
Tom Hardy heralds dawning of the knitwear anti-hero. Margot Wilson discusses her use of the cardigan for Lawless. Continue reading Continue reading
© 2011, Haut et Court
French costume designer Anaïs Romand discusses her work on House of Tolerance (L’Apollonide: Souvenirs de la maison close). Continue reading Continue reading
© 2012, Clothes on Film
The costumes of Rumble Fish express the importance of teenage dress codes before the segregating journey into adulthood. Continue reading Continue reading
© 2012, Disney / PIXAR
Does costume design exist in animated film? Simulation supervisor for Brave, Claudia Chung, discusses its creation, processes and role in the finished movie. Continue reading Continue reading