Amongst staggering aural and visual assault, perhaps one of the quietest aspects of Dunkirk (2017, directed by Christopher Nolan) are its costumes – and this is to its credit. Dunkirk is the type of film[…]
Filmmaker and costume designer Sophie Black recounts her personal interpretation of Heathers, a film defined by vivid visual interpretation. It is just a coincidence that the first time I saw Michael Lehmann’s Heathers (1988) was[…]
Les Misérables is drenched in costume symbolism, specifically revolutionary red, white and blue. Subtle was never its intention.
Catherine George’s costume design demonstrates how we read physicality on-screen.