The Counsellor trailer hits with high-shine sartorial gloss.
Costume designer Michael Kaplan reminisces with Clothes on Film about creating dark tourist Marla Singer in Fight Club.
Spoiler warning: We examine the use of suits, iron or otherwise, in Iron Man 3 to conceal and recreate identity.
Armour and indecisiveness: Audrey Hepburn is more than a little black dress in Breakfast at Tiffany’s.
Cosmopolis satisfies as everything avant-garde cinema should be; an immaculate journey into weird.
The religious and cultural significance of the costume design in foreign language Oscar winner A Separation.
Watch the first trailer for Tim Burton’s Dark Shadows and burst with costume excitement.
Gena Rowlands’ costumes as Gloria evocate character through a fashionable capsule wardrobe.
With exclusive insight from costume designer Catherine Marie Thomas, we analyse Sandra Bullock’s low volume, big impact wardrobe in The Proposal.
Costume designer Michael Kaplan took time away from Star Trek 2 to chat exclusively to Clothes on Film about Ghost Protocol.
Enjoyably daft fare with enough fast cars and desirable clobber to keep you cooing until the credits.
Groundbreaking film La Dolce Vita offers a conflicting portrayal of masculinity.