© 2015 Lord Christopher Laverty. All rights reserved.

Beautiful Oppression: Tilda Swinton in I am Love

From stills of this film alone you could easily be forgiven in thinking that I am Love (Io sono l’amore, 2009) was set during the 1960s. The designer clothes draped worn by lead members of the Recchi family, as selected … Continue reading

© 2015 Lord Christopher Laverty. All rights reserved.

The Wes Anderson Collection: The Grand Budapest Hotel

Author Matt Zoller Seitz has published a continuation of his superb book The Wes Anderson Collection (2013), entitled (deep breath) The Wes Anderson Collection: The Grand Budapest Hotel. The former is a detailed look at Anderson’s output so far, influences, … Continue reading

© 2014 Lord Christopher Laverty. All rights reserved.

Snowpiercer: Q&A with Costume Designer Catherine George

Chances are you have not seen Snowpiercer yet due to its limited availability and release fiasco. If so, skip this interview and watch the film first. Go in clean, because Snowpiercer really is as good as everyone’s telling you. Based … Continue reading

© 2014 Lord Christopher Laverty. All rights reserved.

Dressed to Serve: Costume in The Grand Budapest Hotel

SPOILERS From a costume point of view, and therefore a character point of view, The Grand Budapest Hotel (directed by Wes Anderson) is all about uniforms; those worn by men and women in official capacities and those adopted as a … Continue reading

© 2012 Lord Christopher Laverty. All rights reserved.

Review: Moonrise Kingdom

Wes Anderson’s most sartorially significant film yet. Continue reading

© 2012 Lord Christopher Laverty. All rights reserved.

Powerful Costume in We Need to Talk About Kevin

Catherine George’s costume design demonstrates how we read physicality on-screen. Continue reading