This is part 2 (part 1 HERE) of an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers[…]
The following is an expanded article Clothes on Film editor Chris Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore[…]
Thanks at least in part to the wintry weather, this week’s costume round up is coats on film.
Meryl Streep’s timeless Burberry trench coat is one of the most recognisable contemporary costumes of 1970s.
Michael Caine created Jack Carter, yet his immaculate blue mohair suit was more than a little responsible for creating the myth.
Speaking exclusively to Clothes on Film, Le Divorce costume designer Carol Ramsey explains how a Hermès Kelly can be elevated from status symbol to character.
Harry subverts his identity to get lost in the crowd during this blistering new trailer for New Harry Potter and the Deathly Hallows: Part I.
One of the seventies’ more successful attempts to modernise fashions of the past.