Netflix have released a short featurette about costume design for The Alienist, giving an overall glimpse at the work of Michael Kaplan and his team in putting together the era of 1896, New York. What[…]
Daphne du Maurier‘s original novel My Cousin Rachel apparently does not specify the exact period in which it’s set, but implies some time toward the end of the 19th century on the Cornish coast. This[…]
When Arnold Scaasi opened his couture salon in 1964, he soon became a couturier to the stars. He was already a favoured designer for Barbra Streisand when he famously dressed her for the 1969 Oscars.[…]
NO SPOILERS Real and mythological, figurative and literal; monsters of all kinds abound in Sky Atlantic’s new period horror series Penny Dreadful. We might expect a skulking figure in a top hat and frock coat[…]
The first still from Beauty and the Beast, aka La belle & la bête. Costumes by Pierre-Yves Gayraud.
Goldie Hawn’s unforgettable debut in hot pants and mini skirts in Cactus Flower.
Oz is here and as far as fantasy costume is concerned, you are in for some surprises.
The biggest compliment that can be paid to Joanna Johnston’s costumes in Lincoln is that you will hardly notice them.
Costume designer Margot Wilson talks exclusively to Clothes on Film about her impeccable work on Lawless.
Second and final part of Clothes on Film’s sartorial run-through of Sherlock Holmes: A Game of Shadows, with exclusive input from costume designer Jenny Beavan.
First of Clothes on Film’s two part sartorial run-through of Sherlock Holmes: A Game of Shadows, with exclusive input from costume designer Jenny Beavan.
This is the most fun and elaborate outfit Grace Kelly wears in To Catch a Thief.