Clothes from 2000-10 | http://clothesonfilm.com

Deena Appel on the Costume Design of Austin Powers: Goldmember

9 Oct ’1810 Oct ’18 Lord Christopher LavertyClothes from 1960s

Goldmember (2002, directed by Jay Roach), the final film (so far) in the Austin Powers series again shifts its timeline. However, rather than a negligible, though comparatively significant, jump from late to very late 1960s,[…]

Beautiful Oppression: Tilda Swinton in I am Love

5 Jun ’155 Jun ’15 Lord Christopher LavertyClothes from 1960s

From stills of this film alone you could easily be forgiven in thinking that I am Love (Io sono l’amore, 2009) was set during the 1960s. The designer clothes draped worn by lead members of[…]

Contemporary Costume: Where Have the Aloha Shirts Gone?

20 Jun ’1420 Jun ’14 Lord Christopher LavertyClothes from 2000-10

While science-fiction and period costume can sell to collectors at auction for tens of thousands of dollars, the future of contemporary costume from the contemporary drama, comedy and thriller genres is unclear. Costumes from films[…]

About Time to Dress Upper Middle Class

9 May ’149 May ’14 Lord Christopher LavertyClothes from 2000-10

SPOILERS Despite all the hoo-ha over films such as Blue Jasmine and Stoker contemporary is still pretty much overlooked as a form of costume design. If it’s invisible, well, nobody notices it, and if it’s[…]

Sandra Bullock in The Proposal: Small Wardrobe, Big Impact

24 Feb ’1211 Jan ’14 ContributorClothes from 2000-10

With exclusive insight from costume designer Catherine Marie Thomas, we analyse Sandra Bullock’s low volume, big impact wardrobe in The Proposal.

Winter’s Bone: Rebecca Hofherr Interview

12 Jan ’1211 Jan ’14 Lord Christopher LavertyClothes from 2000-10

Costume designer Rebecca Hofherr talks exclusively to Clothes on Film about her incredible contribution to Winter’s Bone.

Noomi Rapace in The Girl with the Dragon Tattoo

8 Dec ’1111 Jan ’14 Lord Christopher LavertyClothes from 2000-10

Playing computer hacker, Lisbeth Salander, Noomi Rapace embodies the character in such a way that picturing anyone else in the role is nearly impossible.

Kate Hudson in Le Divorce: Love is in the Bag

10 Jun ’117 May ’14 Lord Christopher LavertyClothes from 2000-10

Speaking exclusively to Clothes on Film, Le Divorce costume designer Carol Ramsey explains how a Hermès Kelly can be elevated from status symbol to character.