The leggy lure of Bombshell.
The costume style evolution of Kathleen Turner in Romancing the Stone (1984).
A brief glimpse at the costume world Mark Bridges created for Joker.
A brief video dip into the costume design of Once Upon a Time in Hollywood.
As a new feature for Clothes on Film, we will uploading regular videos (say every couple of weeks) to YouTube examining the costume design of new and classic movies, plus selected television and trailers. This[…]
SPOILERS THROUGHOUT Clearly Us (2019) director Jordan Peele is as interested in the craft of costume as a tool for storytelling as any means available to him (props, sets, score, bunnies). Peele’s costume designer for[…]
MINOR SPOILERS First Man (2018) is not a movie overly preoccupied with fashion, And why would it be? The focus of the story is astronaut Neil Armstrong (Ryan Gosling) and his journey to become the[…]
MINOR SPOILERS For all the inevitable chrysalis transformation of singer Ally (Lady Gaga) during A Star is Born (2018, directed by Bradley Cooper), the most subtle, yet real sartorial reflection of character belongs to her[…]
The second installment (part one HERE) of our extensive interview with Austin Powers trilogy costume designer Deena Appel, this time focusing on The Spy Who Shagged Me (1999, again directed by Jay Roach). Things change[…]
With Austin Powers: International Man of Mystery (1997), costume designer Deena Appel created one of the most iconic screen looks of all time. That is no overstatement; Austin Powers has been copied and homaged and[…]
MINOR SPOILERS Movies that feature contemporary fashion, particularly high-end and particularly for women, are a tricky sell costume wise. While men’s semi-formal to formal attire is generally shaped around the fundamental guise of the lounge[…]
MILD SPOILERS Solo: A Star Wars Story (2018) is far and away the most ‘A New Hope-like’ film in the series yet. In terms of tone, sure, but particularly costume. What costume designers Glyn Dillon[…]