-
The Alienist: Costume Featurette Provides Glimpse into Gilded Style
Netflix have released a short featurette about costume design for The Alienist, giving an overall glimpse at the work of Michael Kaplan and his team in putting together the era of 1896, New York. What is enticing about The Alienist, apart from the fact that it’s brilliant whodunit telly, is that it is set outside of England, which is so often the preserve of dramas such as these. This is NY style at a point in history when those with money were about to get a whole lot more. Expensive, in other words, and if you had deep enough pockets your taste in fashion would echo this. Check out the…
-
The Post Trailer Debuts: Ann Roth sets the Tone
Costume designer Ann Roth, arguably one of the greatest of her craft still working in Hollywood, has costumed director Steven Spielberg’s latest The Post, and by the looks of this first trailer we are in for a muted treat: What we have are gentlemen sporting classic collar points with moderate spread, sometimes short sleeve (always with a chest pocket – a very American touch) and medium breadth neckties. The occasional kipper, but this 1971 is a very different world than, say, The Deuce (costume designer Anna Terrazas). The seventies may have ushered in increasingly wide flared trousers and oversized lapels but it’s doubtful we’ll see much of those in The…
-
Florence Foster Jenkins: Exclusive Costume Sketches
Friday 6th May sees the release of Florence Foster Jenkins, the 1944 set true story of a woman, Ms. Foster Jenkins herself (played by Meryl Streep) who heard nothing but sweet angels in her head, yet couldn’t actually sing for a toffee. Her manager and husband St. Clair Bayfield (Hugh Grant) hides the truth during the private recitals, but when Florence agrees to sing live at Carnegie Hall, things begin to get a little tricky… Costume designer for Florence Foster Jenkins is Consolata Boyle, a BAFTA award winner probably best known for her work on The Queen (2006), The Iron Lady (2011), and more recently Philomena (2013) – and yes there…
-
Working Girl: The Culture of Power Dressing
Costume designer Ann Roth’s template for Working Girl (1988, directed by Mike Nichols) is especially astute with regards to the social and geographical make up of its characters. Protagonist Tess McGill (Melanie Griffith) is a homely girl raised and living in Staten Island, New York. Currently working as a secretary in Manhattan (not ‘executive assistant’, reflecting vernacular of the time), as is her best friend Cynthia (Joan Cusack). Tess, however, has gained a degree through night school and harbours ambitions to use it for more constructive tasks than answering the telephone and fetching toilet paper for bawdy stockbrokers. After being set up for a ‘date’ that turned out to be…
-
Review: Diana Vreeland: The Eye Has to Travel
A breezy retrospective of the most famous fashion editor of all time.
-
Madonna in Desperately Seeking Susan
All the recurring themes in Desperately Seeking Susan are linked to one jacket.
-
The Hangover: More Costume Questions Answered
Costume designer for The Hangover, Louise Mingenbach, has answered more questions about who wears what in the movie.
The study of costume design in cinema and television. Featuring exclusive articles, news, interviews, videos, podcasts, essays and competitions.
