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T2 Trainspotting: Nostalgia Trip
MINOR SPOILERS Like any film with an extended period of time between the original and sequel(s), T2: Trainspotting (2017) is required to form an immediate connection with its audience. Twenty years have passed, yet we must feel accustomed to this world. For every element of change, something else must remain the same. We take comfort in what we know; it allows us to enjoy the new without fear of the unknown. If T2 had been released a couple of years after Trainspotting (1996), it could potentially have been set in Benidorm. Transplanting our anti-heroes from Scotland to Spain is fine when they are fresh in our conscious mind, but twenty…
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The Selfish Giant: Costume Design for Social Realist Drama
Clio Barnard’s stark yet heart-wrenching film The Selfish Giant (2013, UK) offers two fantastic performances from its young stars in their acting debut. Matt Price discusses how his costume design for the film reflects the strong, relatable characters so well… It is lunchtime in London as costume designer Matthew Price shuffles into the Curzon, Soho. Recently collaborating with Clio Barnard on the Bafta nominated film, The Selfish Giant, reuniting after experimental documentary The Arbour, Price is surprisingly reserved about his work. “I wasn’t really sure if they’d take me on again,” he says of Barnard and producer Tracey O’Riordan. “The Arbour did quite well so I didn’t know if they’d…
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From Bum to Italian Stallion: Sylvester Stallone as Rocky
In the very opening scene of Rocky (1976, costume designer Robert Cambel), we see the title character in the ring, bare chested, hands encased in boxing gloves, the picture of sporting violence and masculinity. But this is no more than a surface assumption. Not two minutes later, we see Rocky Balboa (Sylvester Stallone) shrug on his faded brown towelling dressing gown, with “The Italian Stallion” embroidered on the back, and things start to shift. This is not a macho film concerned with the fight alone, but an exploration of masculinity in all its guises – the assumptions, the pretence and the reality. Clothes play an important part in this, both…
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Midnight in Paris: Nostalgia Fashion
Sonia Grande’s costume design for Midnight in Paris offers everything we expect of 1920s Paris and the contemporary nouveau riche.
- Clothes from 2000-10, Clothes from now, Girls in Films, Girls on TV, Guys in Films, Guys on TV, Premium
Noomi Rapace in The Girl with the Dragon Tattoo
Playing computer hacker, Lisbeth Salander, Noomi Rapace embodies the character in such a way that picturing anyone else in the role is nearly impossible.
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Anuvahood: Urban Wear Swagger
Anuvahood showcases urban wear swagger. If you want to belong, you must fit in.
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Bill Nighy Explains How to Look the Business
From The Observer, Bill Nighy lists five things he knows about style.
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Brooklyn’s Finest Trailer Kicks All Kinds of Butt
Straight away there are overtones of influential crime thriller New Jack City with branded sportswear and 1920s-30’s style hats.
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Kiss of Death: Nicolas Cage as Little Junior Brown
Little Junior Brown represents the ugly face of nineties designer villainy.
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